Review, Published in the May 19th, 1992 issue of the New York Times

“As the hour approached midnight on Sunday, it might have been expected that a critic would begin to feel no little impatience, frustration and dismay. After all, in the midst of sampling the traditional nine-hour marathon concluding the sixth annual Bang on a Can Festival at the New York Society for Ethical Cultural, I found a fair number of works that seemed just barely above student level. A piece for electric guitar noodled around with patterns that repeated even as the guitar’s tuning was changed; another work, described as the “first 12-tone isorhythmic rock piece,” did indeed have 12 tones, repeated rhythms, and elements of Minimalist rock, but without much point other than to combine them.”

— EDWARD ROTHSTEIN

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